INTERCULTURAL ENCOUNTERS AND DIALOGUES: GROUP SHOW: Dagmar Van Weeghel, Maya-Inès Touam, Sidonie Hadoux, Remofiloe Mayisela, Nicole Rafiki, Kudzanai Chiurai, and René Tavares.

1 June - 7 July 2023
Overview
We are pleased to present in Lisbon "Intercultural Encounters and Dialogues" - an Africa-focused photography group exhibition. The show presents about 21 works by artists Dagmar Van Weeghel, Maya-Inès Touam, Sidonie Hadoux, Remofiloe Mayisela, Nicole Rafiki, Kudzanai Chiurai, and René Tavares. 
 

The exhibition "INTERCULTURAL ENCOUNTERS AND DIALOGUES" establishes a platform to build dialogues between the participating artists, exploring their works and the connections that can be made between them. Although each artist brings their own perspective, there are common themes and approaches that permeate their work, allowing us to draw parallels and create shared narratives.

 

Through different means of artistic expression, these artists explore issues of identity, diaspora, gender, colonialism and the connections between the past and the present. In this exhibition, we seek to create correlations between their works, revealing their personal narratives and the intersections that emerge when they are brought into dialogue.

 

Through his photographs, Van Weeghel aims to offer an alternative perspective on the world and human relationships. The recurrent presence of women in her compositions is a way of highlighting the central role they play in society and in the construction of identity and historical narrative. 

 

Maya-Inès Touam, born in France and daughter of Algerian parents, explores her own identity through photography. By delving into her roots and researching African diasporas in France, the artist offers a post-colonial perspective on immigration. Her work, simultaneously anthropological and dreamlike, questions the notion of identity as something fixed and unique.

 

While Van Weeghel focuses on the portrait of real women, exploring their stories and experiences, Touam explores her own identity as the granddaughter of Algerian immigrants, seeking to understand how to integrate the two shores of the Mediterranean. Both artists use photography as a medium to tell personal and social stories, challenging preconceived notions of identity and belonging.

 

Sidonie Hadoux and Remofiloe Mayisela thus share a focus on feminism and social issues in their work. Hadoux uses photography to question the consequences of capitalist patriarchy in post-industrial landscapes, while Mayisela addresses patriarchal and cultural taboos through self-portraiture and performance. Both artists challenge social norms and explore the role of women in contemporary society.

 

Nicole Rafiki, a Congolese artist based in Oslo, uses primarily color photography, embroidery and textiles in her creations. Her work examines historical and socio-political issues related to identity, forced migration, and racialized stereotypes, while incorporating elements of African cultural traditions and a Westernized anthropological and ethnographic perspective.

 

Zimbabwean-born Kudzanai Chiurai incorporates a variety of media in his work to address political and economic inequalities and conflicts in post-colonial societies. His personal experience as part of Zimbabwe's so-called Born Free generation, born after the country's independence, influences his artistic approach. Chiurai uses narrative, symbolism and mise-en-scène to reflect on intergenerational inequality, political conflicts and the lingering consequences of colonialism.

 

Chiurai and Rafiki use different media to challenge established norms and offer new perspectives on inequality, identity, and the impact of colonialism. Both artists explore narrative as a powerful tool of expression. Chiurai, in his general artistic practice, through human figures in his paintings, photographs, and installations, constructs visual narratives that highlight intergenerational inequality and political conflict in post-colonial societies. His work is full of symbolism, inviting the viewer to delve into the layers of meaning and to reflect on the complex realities that permeate African life. On the other hand, Rafiki also uses symbolism in his photographic staging, blending elements of African cultural and religious traditions with a Westernized gaze. His meticulous images invite self-analysis, the rescue of memory, and reflection on loss and resilience.

 

Both Chiurai and Rafiki are activists through their artwork. Chiurai, with his self-imposed exile and criticism of the Zimbabwean government, openly challenges oppressive political structures and seeks a resolution of conflicts in society. His art is a powerful voice of protest and a call to action. For her part, Rafiki addresses issues of displacement, discrimination, and identity definitions through an art practice that she considers therapeutic and healing. Her work is an invitation to inner transformation and resilience, while challenging stereotypical perceptions of blackness and femininity.

 

The photographic series " Two Lives Tchiloli", by René Tavares, is a visual representation of the encounter between three peoples - Portuguese, French and Santomense - and the heritage that stems from them. Tavares uses documentary photographs to transport us to a historical past and a cultural tradition that deserve to be recovered. But it also transports us to the present day, where ideologies and concepts related to territory and identity are debated, calling into question the physical and ideological borders between civilisations. Tavares' work takes us into a current and committed dimension, promoting a revision of the academic and political history of the African continent on the international scene.

 

René Tavares establishes a connection with other artists through the exploration of cultural heritage and the intersection of different peoples. His documentary photographs delve into the historical past and invite us to question the physical and ideological boundaries between civilisations. Tavares' work contributes to the wider debate on identity and collective memory, offering a unique perspective on the encounter between different cultures.

 

By exploring these dialogues between the artists, " INTERCULTURAL ENCOUNTERS AND DIALOGUES " offers an enriching and stimulating experience, inviting the audience to delve into the complexity of the social, cultural and historical issues present in the works. Each artist contributes with their unique voice to the overall picture, highlighting the diversity and richness of contemporary artistic expression.

 
The exhibition will be on display until July 7th. Entrance is free.
 
Works
  • DAGMAR VAN WEEGHEL Women in Antiquity III, 2020 Archival Pigment Print, Custom Framed, mounted on 3mm dibond 120 × 90 cm
    DAGMAR VAN WEEGHEL
    Women in Antiquity III, 2020
    Archival Pigment Print, Custom Framed, mounted on 3mm dibond
    120 × 90 cm
  • Rafiki Homebound, 2022 Glicée print on Fine Art Baryta paper 80 x 60 cm
    Rafiki
    Homebound, 2022
    Glicée print on Fine Art Baryta paper
    80 x 60 cm
  • Rafiki Carry your own, 2021 Glicée print on Fine Art Baryta paper 60 x 80 cm
    Rafiki
    Carry your own, 2021
    Glicée print on Fine Art Baryta paper
    60 x 80 cm
  • Rafiki Past is Present, Present is Future, 2022 Glicée print on Fine Art Baryta paper 90 x 120 cm
    Rafiki
    Past is Present, Present is Future, 2022
    Glicée print on Fine Art Baryta paper
    90 x 120 cm
  • Rafiki Untitled, 2021 Glicée print on Fine Art Baryta paper 90 x 120 cm
    Rafiki
    Untitled, 2021
    Glicée print on Fine Art Baryta paper
    90 x 120 cm
  • Maya-Inès Touam, Bidon vernis, 2020
    Maya-Inès Touam, Bidon vernis, 2020
  • Maya-Inès Touam Citron et plastique, 2020 Fine Art print on Hahnemuhle paper 64 x 80 cm
    Maya-Inès Touam
    Citron et plastique, 2020
    Fine Art print on Hahnemuhle paper
    64 x 80 cm
  • Maya-Inès Touam, LV et Protéa, 2020
    Maya-Inès Touam, LV et Protéa, 2020
  • Maya-Inès Touam, Méduse et Papillon, 2020
    Maya-Inès Touam, Méduse et Papillon, 2020
  • Kudzanai Chiurai We Live in Silence XVIII, 2017 Pigment ink on fiber paper (ed. 10) - Courtesy of the artist and Goodman Gallery 193,5 x 150 cm
    Kudzanai Chiurai
    We Live in Silence XVIII, 2017
    Pigment ink on fiber paper (ed. 10) - Courtesy of the artist and Goodman Gallery
    193,5 x 150 cm
  • René Tavares, Actor not an actor, 2019
    René Tavares, Actor not an actor, 2019
Installation Views