Teresa Kutala South Africa, b. 1993
Overview
Teresa Kutala Firmino’s work negotiates trauma, both personal and collective, in everyday life. Her paintings are constructed scenes of the past and present, which are sometimes intertwined. Firmino carefully collects images from magazines, newspapers, historical documents and social media, and places them in colorful, box-like stages. This creates surreally baroque scenes which take place in tightly confined interiors, where the characters have the opportunity to re-enact their stories or construct new ones. This process allows Firmino to create alternative past, present and future narratives of Africa, thus rebuilding her own archive of African history.
Firmino seeks to investigate the trauma that African people in her community and beyond have experienced and continue to experience due to colonization, civil wars and present day obstacles. Her own stories begin with the collective trauma of Pomfret. Located in the North West Province of South Africa, and the place where she was born, Pomfret is a community of former 32 Battalion soldiers and their families, many of whom settled there after the end of the South African Border War.
Kutala Firmino looks at how, despite the trauma they experienced, many of these women had to continue living with their abusers. The artist interrogates what it is about the black female body and mind which, despite trauma, continues to thrive. Is she truly living, or is she in constant melancholy as she exists in the aftermath of colonialism, civil war and betrayal? Is negotiating trauma realizing that your abuser is possibly part of the bigger cycle of abuse?
Teresa Kutala Firmino is a multimedia artist, now based in Johannesburg, working with paint, photography and performance. She is part of a collective called Kutala Chopeto, which started as an investigation into their shared history which is linked to the 32 Battalion, the soldiers who were settled in Pomfret after the Border War.
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