(IM)MATERIALITY: Group Show
(IM)MATERIALITY: Group Show
- Overview
- Works
- Installation Views
- Press
- Videos
- Related content
-
Share
- X
- Tumblr
It focuses on the fascination produced by the transitory effects of matter and technique, stemming from the artistic community's current interest in exploring new materialisms, new media, and increasingly hybrid artistic genres, as well as its growing dedication to the recovery and consecration of ancestral practices of artistic creation.
Throughout the exhibition, the notion of gender ambiguity prevails. Through it, we can better understand how the authors evaluate matter and non-matter, tangibility and intangibility as a means of communication, either by expanding traditional media and narratives or by using everyday objects as a resource to build new forms.
"(IM)MATERIALITY" challenges the status quo and the significance of materiality and immateriality, which are, in this exhibition, constantly questioned and continuously redefined. It presents the work of art as a social object whose material form, far from being secondary, is instead essential to the generation of meaning.
The exhibition has the artistic direction and production of THIS IS NOT A WHITE CUBE - the first African gallery in Portugal that, while maintaining a deep connection with Africa, does not focus exclusively on Lusophone circles, but mainly on the emerging aesthetics of cultural artistic productions from the Global South.
Through this exhibition, produced in collaboration with "Cooperativa Árvore" and Águeda Arts Center, THIS IS NOT A WHITE CUBE presents a project that aims to generate a dialogue between countries with colonial and historical affinities, reflecting on the concept of decoloniality and seeking to promote a reflection on how contemporary African art has been asserting itself on a global scale.
Location: Águeda Arts Center
- Barbara WildenboerProvenance II, 2022Hand-cut sculptural collage180 x 120 x 6 cm%3Cdiv%20class%3D%22artist%22%3EBarbara%20Wildenboer%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EProvenance%20II%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2022%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EHand-cut%20sculptural%20collage%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E180%20x%20120%20x%206%20cm%3C/div%3E
- Vanessa BarragãoCaminho I, 2021Smyrna latch hooking, crochet, felting and other textile manipulations on recycled wool180 x 165 cm%3Cdiv%20class%3D%22artist%22%3EVanessa%20Barrag%C3%A3o%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ECaminho%20I%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2021%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3ESmyrna%20latch%20hooking%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ecrochet%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Efelting%20and%20other%20textile%20manipulations%20on%20recycled%20wool%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E180%20x%20165%20cm%3C/div%3E
- Vanessa BarragãoCaminho II, 2021Smyrna latch hooking, crochet, felting and other textile manipulations on recycled wool180 x 165 cm%3Cdiv%20class%3D%22artist%22%3EVanessa%20Barrag%C3%A3o%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ECaminho%20II%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2021%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3ESmyrna%20latch%20hooking%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ecrochet%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Efelting%20and%20other%20textile%20manipulations%20on%20recycled%20wool%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E180%20x%20165%20cm%3C/div%3E
- Raquel BelliAs Rochas, 2022Inkjet prints on EPSON Premium Semigloss 270g photographic paper interlaced with basketry and weaving techniques48 x 33 cm%3Cdiv%20class%3D%22artist%22%3ERaquel%20Belli%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EAs%20Rochas%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2022%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EInkjet%20prints%20on%20EPSON%20Premium%20Semigloss%20270g%20photographic%20paper%20interlaced%20with%20basketry%20and%20weaving%20techniques%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E48%20x%2033%20cm%3C/div%3E
- Raquel BelliAs Sereias, 2022Inkjet prints on EPSON Premium Semigloss 270g photographic paper interlaced with basketry and weaving techniques48 x 33 cm%3Cdiv%20class%3D%22artist%22%3ERaquel%20Belli%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EAs%20Sereias%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2022%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EInkjet%20prints%20on%20EPSON%20Premium%20Semigloss%20270g%20photographic%20paper%20interlaced%20with%20basketry%20and%20weaving%20techniques%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E48%20x%2033%20cm%3C/div%3E
- Raquel BelliO Pontão, 2022Inkjet prints on EPSON Premium Semigloss 270g photographic paper interlaced with basketry and weaving techniques48 x 33 cm%3Cdiv%20class%3D%22artist%22%3ERaquel%20Belli%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EO%20Pont%C3%A3o%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2022%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EInkjet%20prints%20on%20EPSON%20Premium%20Semigloss%20270g%20photographic%20paper%20interlaced%20with%20basketry%20and%20weaving%20techniques%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E48%20x%2033%20cm%3C/div%3E
- Raquel BelliO Salva-Vidas, 2022Inkjet prints on EPSON Premium Semigloss 270g photographic paper interlaced with basketry and weaving techniques48 x 33 cm%3Cdiv%20class%3D%22artist%22%3ERaquel%20Belli%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EO%20Salva-Vidas%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2022%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EInkjet%20prints%20on%20EPSON%20Premium%20Semigloss%20270g%20photographic%20paper%20interlaced%20with%20basketry%20and%20weaving%20techniques%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E48%20x%2033%20cm%3C/div%3E
- Patrick BongoyPARODY 1, 2021Found inner rubber tubes250 x 300 x 10 cm%3Cdiv%20class%3D%22artist%22%3EPatrick%20Bongoy%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EPARODY%201%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2021%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EFound%20inner%20rubber%20tubes%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E250%20x%20300%20x%2010%20cm%3C/div%3E
- Cássio Markowski, A Verdade vos Libertará, 2022%3Cspan%20class%3D%22artist%22%3E%3Cstrong%3EC%26%23225%3Bssio%20Markowski%3C/strong%3E%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title%22%3E%3Cem%3EA%20Verdade%20vos%20Libertar%26%23225%3B%3C/em%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E2022%3C/span%3E
- Susana CerejaBOADICEA, 2021Tapestry in Arraiolos Stitch300 x 190 cm%3Cdiv%20class%3D%22artist%22%3ESusana%20Cereja%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EBOADICEA%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2021%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3ETapestry%20in%20Arraiolos%20Stitch%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E300%20x%20190%20cm%3C/div%3E
- António Faria, Fibonacci, 2021-2022%3Cspan%20class%3D%22artist%22%3E%3Cstrong%3EAnt%26%23243%3Bnio%20Faria%3C/strong%3E%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title%22%3E%3Cem%3EFibonacci%3C/em%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E2021-2022%3C/span%3E
- Gonçalo Mabunda, Untitled, 2017-2019%3Cspan%20class%3D%22artist%22%3E%3Cstrong%3EGon%26%23231%3Balo%20Mabunda%3C/strong%3E%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title%22%3EUntitled%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E2017-2019%3C/span%3E
- Gonçalo Mabunda, Untitled, 2017-2019%3Cspan%20class%3D%22artist%22%3E%3Cstrong%3EGon%26%23231%3Balo%20Mabunda%3C/strong%3E%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title%22%3EUntitled%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E2017-2019%3C/span%3E
- João Jacinto, Untitled, 2020-2022%3Cspan%20class%3D%22artist%22%3E%3Cstrong%3EJo%26%23227%3Bo%20Jacinto%3C/strong%3E%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title%22%3EUntitled%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E2020-2022%3C/span%3E
- Katharien de Villiers, how are you holding up during these strange times? , 2020%3Cspan%20class%3D%22artist%22%3E%3Cstrong%3EKatharien%20de%20Villiers%3C/strong%3E%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title%22%3E%3Cem%3Ehow%20are%20you%20holding%20up%20during%20these%20strange%20times%3F%20%3C/em%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E2020%3C/span%3E
- Luís DamiãoHanguila (tríptico), 2020Transfer on paper86 x 206 cm (Total Framed)%3Cdiv%20class%3D%22artist%22%3ELu%C3%ADs%20Dami%C3%A3o%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EHanguila%20%28tr%C3%ADptico%29%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2020%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3ETransfer%20on%20paper%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E86%20x%20206%20cm%20%28Total%20Framed%29%3C/div%3E
- Manuela PimentelMatsi Ni É Orro, 2020Acrylic and varnish on street posters on canvas130 x 180 x 12 cmSold
- Pedro Pires, Anti-Fragility, 2020%3Cspan%20class%3D%22artist%22%3E%3Cstrong%3EPedro%20Pires%3C/strong%3E%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title%22%3E%3Cem%3EAnti-Fragility%3C/em%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E2020%3C/span%3E
- Stephané Conradie, Ave Thandi, 2019%3Cspan%20class%3D%22artist%22%3E%3Cstrong%3EStephan%26%23233%3B%20Conradie%3C/strong%3E%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title%22%3E%3Cem%3EAve%20Thandi%3C/em%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E2019%3C/span%3E
- DAGMAR VAN WEEGHELFor Sarah - The African Princess - Crowned, Special 2022 Edition / Produced in 2015Archival pigment print120 x 90 cm%3Cdiv%20class%3D%22artist%22%3EDAGMAR%20VAN%20WEEGHEL%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EFor%20Sarah%20-%20The%20African%20Princess%20-%20Crowned%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3ESpecial%202022%20Edition%20/%20Produced%20in%202015%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EArchival%20pigment%20print%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E120%20x%2090%20cm%20%3C/div%3E
- DAGMAR VAN WEEGHELThe Crown II, 2019Archival pigment print120 x 90 cmSold
- Hennie Meyer, Untitled, 2021%3Cspan%20class%3D%22artist%22%3E%3Cstrong%3EHennie%20Meyer%3C/strong%3E%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title%22%3E%3Cem%3EUntitled%3C/em%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E2021%3C/span%3E
- Cássio Markowski, Secret Garden I, 2022%3Cspan%20class%3D%22artist%22%3E%3Cstrong%3EC%26%23225%3Bssio%20Markowski%3C/strong%3E%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title%22%3E%3Cem%3ESecret%20Garden%20I%3C/em%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E2022%3C/span%3E
(IM)MATERIALITY Águeda's Art Centre
RTP, 8 October 2022(IM)MATERIALITY - Daniel Madeira em ARTE & CULTURA para a Umbigo Magazine
Umbigo, 13 February 2023Águeda Arts Center hosts exhibition of more than 40 artists: a reflection on the materiality and immateriality
Comunidade Cultura e Arte, 26 September 2022
Press
(IM)MATERIALITY - Daniel Madeira em ARTE & CULTURA para a Umbigo Magazine
Umbigo13 February 2023Exposição coletiva, com obras de 35 artistas, patente no Espaço Expositivo do Centro de Artes de Águeda , (IM)MATERIALITY é uma abordagem, em três instâncias,...Read morePress
(IM)MATERIALITY Águeda's Art Centre
RTP8 October 2022RTP interview with Katherine Sirois about the Exhibition (IM)MATERIALITY in Águeda's Art Centre - THIS IS NOT A WHITE CUBE by Daniel CatalãoRead moreVideos
(IM)MATERIALITY
INTERNATIONAL GROUP SHOW AT ÁGUEDA ARTS CENTER1 October 2022Read morePress
Águeda Arts Center hosts exhibition of more than 40 artists: a reflection on the materiality and immateriality
Comunidade Cultura e Arte26 September 2022Read more
This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.