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Constellations of Listening
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Inspired by the concept of listening, this curatorial project unfolds as a constellation of voices that explore how contemporary art can expand the very notion of listening beyond sound. Listening, here, is not passive: it is an active, embodied, and ethical gesture — a practice of attention that renders audible what is often disregarded, giving form to silences, resonances, and hidden memories.The selection of artists — Ana Malta (Portugal, 1996), Barbara Wildenboer (South Africa, 1973), Cássio Markowski (Brazil, 1972), Ibrahim Bemba Kébé (Mali, 1996), Osvaldo Ferreira (Angola, 1980) and Sanjo Lawal (Nigeria, 1997) — establishes a transcontinental dialogue where tradition, identity, and experimentation converge. Each, from their symbolic and cultural territory, presents works that, more than being seen, demand to be listened to with attentiveness and presence. Ana Malta explores chromatic compositions that reverberate as visual rhythms, capturing the flows and cadences of the everyday. Barbara Wildenboer develops a practice that, combining analogue and digital processes, reflects on temporality, interconnectedness, and the ways in which humanity is shaped by globalisation, crises, and the vulnerabilities of the present. Cássio Markowski invokes memory and ancestry, creating fragmented bodies that echo buried collective narratives. Ibrahim Bemba Kébé draws on the cultural wisdom of the Korèdugaw, transfiguring it into plastic gestures resonating between tradition and contemporaneity. Osvaldo Ferreira addresses the continuities and fractures of Angolan life, where fabric, colour, and texture become reverberations of cultural heritage. Finally, Sanjo Lawal creates vibrant photographic images that interrogate the intergenerational transmission of tradition, composing an imagistic territory that pulses between spirituality and the immediacy of the present.This project is not confined to the presentation of works. It configures a space of expanded listening, where seeing and hearing intertwine. It resists the immediacy of answers, proposing instead pauses, intervals, and echoes that open up space for reflection. In so doing, it creates the conditions for an active engagement with art and with narratives that only emerge when one truly, deeply, chooses to listen.
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Barbara Wildenboer, An Ancient Conversation I (256 Hz), 2026 -
Barbara Wildenboer, An Ancient Conversation II (384 Hz), 2026 -
Barbara Wildenboer, An Ancient Conversation III (480 Hz), 2026 -
Barbara Wildenboer, An Ancient Conversation IV (341,3 Hz) , 2026
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Cássio Markowski#01 - Série Plantação , 2025Indian ink and gold leaf on offset paper, pages from the book “Forty Unpublished Landscapes of Rio de Janeiro, São Paulo, Paraná and Santa Catarina” – 1970 by J.B. Debret, limited edition, copy no. 023846 x 32 cm -
Cássio Markowski#02 - Série Plantação , 2025Indian ink and gold leaf on offset paper, pages from the book “Forty Unpublished Landscapes of Rio de Janeiro, São Paulo, Paraná and Santa Catarina” – 1970 by J.B. Debret, limited edition, copy no. 023846 x 32 cm -
Cássio Markowski#06 - Série Plantação , 2025Indian ink and gold leaf on offset paper, pages from the book “Forty Unpublished Landscapes of Rio de Janeiro, São Paulo, Paraná and Santa Catarina” – 1970 by J.B. Debret, limited edition, copy no. 023846 x 32 cm -
Cássio Markowski, #07 - Série Plantação , 2025
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Cássio Markowski, #08 - Série Plantação , 2025 -
Cássio Markowski, #09 - Série Plantação , 2025 -
Cássio MarkowskiA Espera, 2025Graphite, vinyl paint, colored pencils, and gouache on linen70 x 80 cm -
Cássio Markowski, O Menino e a Árvore do Viajante - Series: Escuto no Mar as histórias dos Rios, 2026
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Cássio Markowski, O Menino passarinho e o Pote Mágico - Series: Escuto no Mar as histórias dos Rios, 2026 -
Cássio Markowski, O Encontro com o Jaguar Voador - Series: Escuto no Mar as histórias dos Rios, 2026 -
Cássio Markowski, A Menina que Dançava no Campo de Algodão – Series: Escuto no Mar as histórias dos Rios, 2026 -
Cássio MarkowskiTerra & Mar, 2026Graphite and gouache drawings on rice paper glued onto bamboo paper63 x 53 cm
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Sanjo Lawal7 Days Up & Grinding, 2024Glycée print, fine art paper, 310g70 x 90 cm -
Sanjo LawalBrotherly Odyssey: Hand in Hand, 2024Glycée print, fine art paper, 310g70 x 90 cm -
Sanjo LawalBrotherly Odyssey: Imperfect Balance, 2025Glycée print, fine art paper, 310g50 x 70 cm -
Sanjo LawalBrothers Bond, 2024Glycée print, fine art paper, 310g70 x 90 cm
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Sanjo LawalChronicles of Japa, 2023Glycée print, fine art paper, 310g50 x 70 cm -
Sanjo LawalComing to your aid, my brother, 2025Glycée print, fine art paper, 310g50 x 70 cm -
Sanjo LawalFila (cap), 2025Glycée print, fine art paper, 310g70 x 90 cm -
Sanjo LawalHeavy is the head (fila), 2022Glycée print, fine art paper, 310g70 x 90 cm
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Sanjo LawalSharing the Creative Flow - Brothers Lawee, 2025Glycée print, fine art paper, 310g70 x 90 cm -
Sanjo LawalSolitary Contemplations, 2024Glycée print, fine art paper, 310g90 x 120 cm -
Sanjo LawalState Of Minds, 2023Glycée print, fine art paper, 310g70 x 90 cm -
Sanjo LawalThe Relationship of the headtie (gele) & fila (cap), 2022Glycée print, fine art paper, 310g70 x 90 cm
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INVESTEC CAPE TOWN ART FAIR 2026: Constellations of Listening
Anteriores viewing_room






