Manuela Pimentel Portugal, b. 1979

Overview

Manuela Pimentel's work is characterized by a harmonious blend of influences from erudite historical culture and elements of vernacular culture, producing a multifaceted and deeply textured body of work that reflects the complexity and richness of Portuguese cultural identity.


Her work combines elements of local tile-making with the aesthetics of urban art, inspired by national tradition and culture and the post-war production of artists such as Mimmo Rotella, Raymond Hains, and Jacques Villeglé.


Manuela Pimentel incorporates into her mural installations fragments of street posters, eroded by time, which she herself collects and reuses to convert into the primary surface of her pictorial interventions. Through the use of acrylic paint, she masterfully recreates the traditional figures of tile-making from the golden age of the Portuguese Baroque, drawing on their aesthetic language, conventional colors, iconography, and style.


By merging these elements with the resins, rough mortars, and neon lights that characterize her artistic production, Manuela Pimentel redefines the role of the tile, promoting its transition from a merely decorative local expression to a global artistic affirmation that transcends the boundaries of collective memory and cultural context.


Through this combination, the artist explores the concepts of impermanence, duality, and ambiguity. She skillfully integrates the visual canons of the Baroque period with the raw aesthetics of "Street art," resulting in an impressive interplay of textures and contrasts that simultaneously evoke sensations of permanence and ephemerality.


Manuela Pimentel's compositions also unite the sacred and the profane. They are infused with a poetic dramaticism and rationalism that invite viewers to contemplate the transient nature of existence and the enduring impact of cultural legacies.


 
Works
  • "Em casa onde não há pão todos ralham e todos têm razão"
    Manuela Pimentel
    "Em casa onde não há pão todos ralham e todos têm razão", 2023
    Acrylic and varnish on street posters and canvas
    120 x 80 x 8 cm
  • A Faca que Significa Transformação
    Manuela Pimentel
    A Faca que Significa Transformação, 2023
    Acrylic and varnish on street posters and canvas
    80 x 70 cm + 80 x 65 cm
  • Abismo (Homenagem a João Paulo Cotrim)
    Manuela Pimentel
    Abismo (Homenagem a João Paulo Cotrim), 2022
    Acrylic and varnish on street posters on canvas
    75 x 120 cm
  • As paredes têm ouvidos
    Manuela Pimentel
    As paredes têm ouvidos, 2022
    Acrylic and varnish on street posters
    14 x 14 x 4 cm
  • As paredes têm ouvidos
    Manuela Pimentel
    As paredes têm ouvidos, 2022
    Acrylic and varnish on street posters
    14 x 14 x 4 cm
  • As paredes têm ouvidos
    Manuela Pimentel
    As paredes têm ouvidos, 2022
    Acrylic and varnish on street posters
    14 x 14 x 4 cm
  • Dentro da Margem de Dentro
    Manuela Pimentel
    Dentro da Margem de Dentro, 2021
    Acrylic and varnish on street posters
    100 x 100 cm
  • In Line To Confession III
    Manuela Pimentel
    In Line To Confession III, 2025
    Acrylic and varnish on street posters on canvas
    70 x 100 x 6 cm + 70 x 100 x 6 cm
  • Não há regras: se fores um homem, se fores mulher tens que jogar o jogo (Diptych)
    Manuela Pimentel
    Não há regras: se fores um homem, se fores mulher tens que jogar o jogo (Diptych), 2024
    Acrylic and varnish on street posters
    94 x 62 cm + 100 x 75 cm
  • Premissa Maior, Todos os homens são Mortais
    Manuela Pimentel
    Premissa Maior, Todos os homens são Mortais, 2024
    Acrylic and varnish on street posters on wood and neon
    158 x 80 x 10 cm
  • São flores aos milhões entre ruínas
    Manuela Pimentel
    São flores aos milhões entre ruínas, 2020
    Acrylic and varnish on street posters on canvas
    130 x 100 cm
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